L'évolution de la technique cinématographique et l'émergence de la micrographie en France et aux Etats-Unis
Institution:
Paris 3Disciplines:
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Abstract EN:
Microphotography, which may be described as the photographic reproduction of documents at high reduction scales was known as early as 1839, but large scale applications became effective only a hundred years later. No suitable emulsion coated on a safe and stable base was made available before the 1930's. Derived from professional motion picture film, microfilm benefited from the drastic improvements which took place in the motion picture industry between 1920 and 1940. Surprisingly, sound recording techniques were responsible for a better image quality. Micrographics were never firmly established in france. In the united states, it became an industry and american libraries, both public and academic, still heavily rely on microfilm for long-term storage. Historical factors, and a fascination for "high tech" may partly account for the underdevelopment of microfilm on france but the main reasons are to be found in the cultural environment : the americans care for their libraries better than the french and the public expresses a genuine interest for conservation. A matterof-fact attitude towards technology (as exemplified in the past during the second world war and to-day in the policy of the genealogical society of utah) together with greater awareness of the limitations of electronic media as far as long-term preservation is intended, may also explain the lasting success of micrographics in america. The increasing importance of american libraries and us-based information systems in the academic field tends to re-affirm america's cultural supremacy.
Abstract FR:
Nee au milieu du 19e siecle, la microphotographie, ou reproduction en reduction de documents, n'a connu aucune application d'envergure avant les annees 1930. Il fallait pour cela disposer de surfaces sensibles adequates, et d'un support souple et ininflammable. Issu du film cinematographique, le microfilm a beneficie des perfectionnements intervenus dans le cinema entre 1920 et 1940. L'evolution technologique qui intervient au cours de cette periode est liee a la transformation des conditions de production et de diffusion du film, et a l'enregistrement du son. Elle est en grande partie de fruit de la collaboration franco-americaine. Le microfilm, qui est devenu un outil reconnu de gestion de l'archive et du document aux etats-unis, ne s'est jamais veritablement implante en france. Les raisons de ce developpement inegal, notamment au niveau de la recherche universitaire, sont analysees, et mettent en evidence de profondes differences culturelles, ainsi que des attitudes souvent opposees vis a vis de la technologie. Les americains ont su exploiter avec pragmatisme les ressources du microfilm, pour constituer un extraordinaire outil de travail intellectuel, outil qu'ils continuent a perfectionner avec l'apport des techniques numeriques. Meme si la domination economique des etats-unis est aujourd'hui contestee, le souci de rassembler, et de conserver, en faisant appel a des methodes eprouvees, le patrimoine ecrit, renforce chaque jour leur hegemonie culturelle.