Dimensions et espaces de l'atelier d'écriture
Institution:
Paris 8Disciplines:
Directors:
Abstract EN:
We start from three perplexities: a scholastic one: does it exist, for some pupils, lockings for writing, uphill progressive procedures of teaching? a literary one: school relegates the existential aspects of writing, and is disconnected from writing and writer's reality. A para-scholastic one: in writing workshops, anyone writes, but what is he writing, and what can we do with that? starting from the reality of a writing act, we build a theory of writing, organized from the multireferential point of view on human practices. We assert that writing lockings exist, belong to a pre-representative estate, and to the process of identity erecting. We use bachelard's theory of instant, castoriadis's theory of imaginary, and existential approach. It reveals that a subject has three ways of being and inducing temporality, through poetic drift, static scene of inscribing, homogeneous and lineary discourse (narrative or rational). These three existential ways exist also in writing come out. Writing is a way of being before being a way of doing. Writing workshops, specially formal restraints proposed by oulipo, assert the possibility of an instant come out of writing, which lifts logkings, by erasing meanings, related to writer's identity, and to his writing content. To analyse that, we refer to the dimensions of writing practice (for identified processes), and to its spaces (establishment of a gap, a blank, a void without meaning nor references). Then, we understand what is acted in writing wokwhops. Through this breach between dimensions and spaces, writing itself allows a transversal transformation of the subject, and of his writing. We show, in the time of workshop, the game between dimensions and spaces inside writing itself, where writing instructions act as openers, operators, devices. We study the poietic game of writing, reading, their latitudes of creation, of trans-formation, up to writing realisation. Several experiences are presented about that. Then we can unify anthropological, literary and philosophical approaches, on the tip of reality, one and complex, which is the specific object of our praxeologic reflexion. Our theory of inscribing shows the transversal way of using writing as a device, for writing, and for identity restitution.
Abstract FR:
Nous partons de trois perplexites: l'enseignant se demande s'il existe, pour certains eleves, des blocages d'ecriture, en amont des procedures lineaires d'apprentissage. Pour l'ecrivain, l'ecole coupe l'ecriture de l'existentiel, le sujet et l'ecriture de la realite. A la peripherie de l'ecole, les ateliers d'ecriture permettent d'ecrire avec bonheur, mais quoi? et que peut-on faire de cela? partant de la realite d'un acte d'ecriture, et du point de vue multireferentiel sur les pratiques humaines, nous proposons une theorie de l'ecriture. Elle etablit que les blocages d'ecriture existent, relevent d'une instance pre-representative, et du processus d'edification identitaire. Nous utilisons la theorie de l'instant de bachelard, l'elucidation de l'imaginaire de castoriadis, et l'approche existentielle. Le sujet peut exister sur trois modes d'instigation temporelle: la derive poetique, la scene immobile de l'inscription, le discours homogene et lineaire du narratif ou du rationnel. Ces trois modes d'etre se retrouvent dans les surgissements d'ecriture. L'ecriture est une maniere d'etre avant d'etre une maniere de faire. Les ateliers d'ecriture, en particulier les contraintes formellesproposees par l'oulipo, attestent l'existence d'un surgissement immediat de l'ecrit, qui leve les blocages, en eludant les significations relatives, et a l'ecrit, et a l'identite du scripteur. Pour analyser cela, nous avons recours a notre theorie des dimensions (concernant les processus identifies et balises), et des espaces (relatifs a l'instigation d'une breche, d'un vide sans significations ni references). Nous pouvons alors elucider le jeu des dimensions et des espaces, dans les dispositifs de l'atelier, et de l'ecriture en atelier, ou les consignes jouent le role d'operateurs. Cela nous permet une typologie precise des consignes, une etude detaillee des temps de l'ecriture, des poietiques de l'ecrit et du regard, jusqu'a la realisation d'ecriture. C'est en ce point crucial de la realite que nous pouvons conjoindre le regard anthropologique, litteraire et philosophique. Notre theorie de l'inscription montre comment on peut utiliser les transversalites de l'ecriture pour une restitution, et d'ecriture, et d'identite.