Abstract EN:

Let the scene begin. Who is the subject of this sentence? Whom is it adressed to, where does it come from? As one hears it, one is already waiting: the raising of the curtain, something to happen, here, in front of one – show or theatre. The “stage” – as the very space of the representation – is the question of “theatre”: space of meaning, theory, space of play, drama, social space, politics, space of meaning, theory, space of play, drama, social space, politics, space of worship, liturgy, space of time, history, space of death, tragedy. . . But that's not it : on the stage occurs foreclosure. Along with Schiller, the metaphysics of the own erects again figures of the “true humanity” (people, genius, viril man – the whole of some Geschlecht). It is again decided of mimesis; fatefully, on behalf of an outbiding of meaning, the foreclosure of itinerant representatives of alterity is repeated. The “animals”, the “passive ones”, the “mere Hebrews”, the “impostors”, the “pseudo-comedians”, the “degenerated” (unworthy mothers and sons), the “madmen”, the “whores” & alii, all of them are commonly excluded, all of them are monsters, ousted “from the stage as well as from life” (Schiller). But then, where can those people not be found? Though, their type doesn't exist, but it's haunting for sure some landlord phantasm. But it is within reality that the representatives of representation (of sham, of false pretence, of the threat of the decline repetition) are marked with it, ousted, removed, deported, marginalised, sacrificed, etc. , that all of them are sent to the other world, where no inhabitation is ever possible. The subjection that occurs on the stage of " the great fate of humanity " takes these victims away so that the real scene begins. Nothing in the world is worth serving, accomplishing and accompanying the worst which the metaphysics of the own announces and prescribes. Within this world, we are compelled to make the whole of a world.