Abstract EN:

Fragmentary writing may be considered as an aspect of Charier abstruseness, whereas its elucidation has led to speak of the readibility of Char. A study of the fragment and its established shows that Charier writing, rather than adopting these, in the invention of a form - a writing based on its ruptures and blanks. The second part deals with the way of constructing the meaning. The fragmental here is understood to be the principle of the breaking up. He discovers the creative energy of form, slipt up by the discontinuity, the blank-semantic and graphic - the ellipsis. The third, the imaginary of charier writing: a diairetic object of the image revealed by three mother-figures. A musing of the fragmentation delivers the three axes from imagination: the pulverized, the dislocated (the major and minor tones of the fragment) and the fragile. The architecture of the work however reveals two antinoma forms: the pulverized and the linking showing that the fragment finds a means of becoming connected, though in intratextuality. The metatextualite takes on also the function of cohesion.