Abstract EN:

This study treats of three poetes of the post-surrealist generation, andre du bouchet, jacques dupin and philippe jaccottet. The title is designed to indicate the immediacy first of all. Against a certain tendency of surrealisme who favoured the " image " (poetic and visual) as its synonym, these poets (and yves bonnefoy who also faced the annihilation of every ideolgy with the war) recognized the necessity of return to the real, the material, as the solid ground at the very root of the imaginary world. Their mouvement of return was such radical that they called into question the representation itself, on the imaginary, verbal and even political level. But their ultimate desire to attain the real not yet represented, the material not yet reduced to the form is definitely unrealizable. In trying to keep away the representation from their language, they will find an unimaginable dimension which can futher be real, concrete and even shattering : the material or psychic reality which can never be represented. This trail to go beyond the representation cause the searing contradiction in the language, proving the division of the subject, understood as the corporal and linguistic unity. In the course of this study, we underlined, through the psychoanalytic, phenomenologic and linguistic approaches, the rehabilitation of the conception of the subject and therewith the lyricisme, and the increased importance that theses poetes give to the unaccountable otherness. This theme and associated others are reflected differentely in the style and the landscape of each poet. We started from du bouchet, whose refusal of image was perhaps the most radical, and then passed on to dupin who, on the contrary, exploit the fiction. We placed jaccotett at the end to see the return to selected images and to the new relationship, which is the beginning of the + passage ;.