Etude des incipit et des clausules dans l'oeuvre romanesque de Rachid Mimouni et celle de Jean-Marie Gustave Le Clézio
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Abstract EN:
Our present study focuses on the analysis of the opening and the closing of the novels written by two authors belonging to different geographical and cultural backgrounds : rachid mimouni (algeria) and jean-marie gustave le clezio (france). It appears through that, the writing technics rachid mimouni implemented in the composition of the opening and the closing of his novels have a lot common with le clezio's. In the novels constitutive of our corpus, the analysis of the forms and functions of these two external frontiers show that rachid mimouni's literary texts are structured according to western rhetorical codes inspite of the inscription of his work in the socio-historical algerian reality. Consequently, the opening and the closing of his novels are not systematically representative of the maghrebian artistics expressions and they enter only partially in the esthetic modernity which khatibi, meddab or fares, for exemple, have described in their works.
Abstract FR:
Notre etude est consacree a l'analyse des incipit et des clausules dans les romans de deux auteurs appartenant a deux spheres geo-culturelles differentes : rachid mimouni (algerie) et jean-marie gustave le clezio (france). Il s'avere que mimouni rejoint les techniques scripturales investies dans les incipit et clausules de l'oeuvre romanesque de le clezio. A travers l'analyse des formes et fonctions de ces deux frontieres externes des textes constituant notre corpus, nous concluons que mimouni encadre ses recits selon les codes rhetoriques occidentaux malgre l'inscription de son oeuvre dans la realite socio-historique algerienne. Par consequent, les incipit et clausules des romans de rachid mimouni ne modelisent pas les systemes artistiques maghrebins de maniere systematique et ne repondent pas a la modernite esthetique telle que khatibi, meddab ou fares, par exemple, l'ont developpee dans leurs creations litteraires.