Abstract EN:

This work is a 337 page dissertation comprising four main parts (pp. 11 - 306), a general introduction (pp. 3 - 10), a conclusion (pp. 304 - 313), an index of chinese words and a fifteen-page bibliography (pp. 319 - 332). Part 1 deals with traditional chinese stylistic (tcs). It contains four chapters devoted respectively to the different chinese ways of looking at the word << stylistic >>, to the history of tcs, the means of expression used in the tcs, and to the definitions of the chinese words : xiuxi, yuti, and fengge. In part 2 (pp. 71 169) one analyses the typical means of expression in the tcs present in the novels of lu wenfu and a cheng. Part 3 (pp. 170 - 207) observes the westernisation of the grammar of modern chinese since may 4, 1919 and considers the influence of western history trends. Part 4 (pp. 208 - 306) is devoted to the writers whose style is influenced by foreign languages, especially english and french : four poets of the trend of << obscure poetry>> (bei dao, gu cheng, jiang he) in the first chapter and to wang meng, a novelist of the << trend of the consciousness >> in the second one. Analysing from a linguistic point of view the style of several well-known contemporary chinese writers, one can ubdoubtedly observe the two following contrary trends in the literature of the 1980s : the use of tcs and the use of foreign constructions in the chinese grammar.