Abstract EN:

Our research deals with the idea of editing, "interval". Such a notion was conceived by the Russian director Sziga Vertov in the 20's in order to "reveal the image of the thoughts of the living human being". Fundamentally, the interval is establishing itself as the "time editing". It is updated on the mere surface of the images by being put in continuous interaction in order to create another ida in the "non interrupted editing". The same process of a thought in image, "interval", is to be found in the movies made by Jean-Luc Godard, in particular in his films-essays from the 70's until "History(ies) of the cinema". First, Godard's idea of "And" and "Between" seeign as an invisible link between heterogeneous things is indeed the recapitulation of Vertov' notion of an "interval" but its is translated, recreated in the reflection of a creative time. Secondly, the "fiction" in Jean-Luc Godard's cinema does not mean anything else vut the actualisation of the vital strength between the images, realised through this "time editing", "And" or "interval". And thirdly, this way of editing is also able to create the "history" of the cinema, based on our faculty of "memory" realised also in the "onon interrupted editing". Finaly, this notion of editing, "interval", characterises the inherent movement of any creative thinking.