Abstract EN:

Rimbaud's work, written when he was young, never gives up staging the body. Seen or suffured, the body remains, from the beginning until the end, the pivot for his writing a source of sensations able to nourish his work. Rimbaud copes with the contemporary poets: interpreting with his body until the end, beyond and still more, he writes throwing himself into his work + body or nothing ;. Investigating in his body prosper, wild feelings, he discovers new forms of poetry. In that way, he frantically thrashes out the "body" of the language. One could question if rimbaud's precocious birth in poetry, his innovative genius and his early, and at the same time, unexpected disappearance, are not linked with this unique and explosive submersion of his insubordinate and confused adolescence, into litterature.