L'Opéra public et l'imprésario à Venise (1637-1680) : De l'art dramatique au spectacle
Institution:
Paris 3Disciplines:
Directors:
Abstract EN:
The thesis starts by giving a brief overall picture of the historical, political, economic and socio-cultural background of the period, then basus to a study of archiv documents dating between 1638 and 1680. These documents reveal the way in which the profession of impresario took shape, and how this gained in importance within the context of venetian opera, together with paralell development of commercial theater organisation. The study is divided into five parts : 1-the melodramma : made in venice ! 2- how the system came into effect 3- the powers and limitations of impresario 4- theater managment 5- casting
Abstract FR:
La these aborde, apres un apercu du contexte historique (politique, economique et socio-culturel), l'etude de documents d'archives dates de 1638 a 1680. Ces documents permettent de comprendre comment apparait le metier d'impresario, l'importance qu'il acquiert dans le cadre de l'opera public venitien, et l'evolution parallele de la profession et de l'ensemble du systeme theatral commercial. Cette etude est divisee en cinq parties : 1- le melodrame : made in venice ! 2- la mise en place d'un systeme 3- l'impresario : pouvoirs et limites 4- l'intendance 5- le casting