Peinture et cinema : le theme du masque chez s.m. eisenstein (1898-1948)
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Abstract EN:
The subject of the mask appears through the translation the cineast s. M. Eisenstein gives about the human face. Nine meanings have been distinguished : original meaning i (feast) and ii (helmet), mortuary mask, making-up, building of a character, transformation mask, the totem, the idolatry, psychologic mask. For each meaning references to various mythologies and to the history of art (the cineast uses it very often) have been noticed. The distorsions, the "forgettings" and the cares, be they admitted or not, of the cineast have been underlined, and he thus proposes a new mythology for the xxth century. Biofilmography, texts by eisenstein, scenarii, texts about the cineast, bibliography, illustrations.
Abstract FR:
Le theme du masque apparait a travers l'interpretation que le cineaste s. M. Eisenstein nous donne du visage. Neuf sens ont ete discernes : sens originel i (la fete) et ii (le casque), masque mortuaire, maquillage, construction d'un personnage, masque a transformation, le totem, l'idolatrie, le masque psychologique. A chaque sens ont ete observees des references a diverses mythologies, et a l'histoire de l'art dont le cineaste fait un usage abondant. Ont ete soulignees les distorsions, les "oublis", et les preoccupations, avouees ou non, du cineaste, qui propose une nouvelle mythologie pour le xxeme siecle. Biofilmographie, textes d'eisenstein, scenarii, textes sur le cineaste, bibliographie, illustrations.