Abstract EN:

This thesis intends to demonstrate the aesthetic unit of a juwish theater through his jewish ethics about representation and in spite of the dispersion of his people. It includes consequently the yiddish theater - which compose the most obvious part of the iceberg - as the theater which part is less obvious : i melan the jewish theater performed in "local" language; the hebraic theater during the ancient greek ad during modern days - even if it tries to be more "israelian" than jewish. . . For reinforce this theory of a single theater in the lap of his diversity, our hypothesis is accompanied by a praxis which constitutes his proper experimentation, for such an hypothesis can only be formed in the acting of his representation or in a "commentary" which becomes a text. . .