Abstract EN:

This thesis focuses on the sculptors working in Rome during the time of Benedict XIII, Clement XII and Benedict XIV (1724-1748). It first examines their socio-professional background, from their artistic beginnings to their obtaining honorific titles. Studying the commissions which they might have obtained explains the way in which work was organised for the decoration of pontifical buildings. It also demonstrates how the passion for the Antique of private collectors had an impact on artistic activity. The development of their careers shows who were the principal actors on the artistic scene and the role played by those artists who had not been trained in Rome. An analysis of their work highlights their stylistic identity. Based on extensive archival research, this study examines all aspects of the life and work of sculptors. It brings to light the conditions that proved unfavorable to the emergence of strong individualities capable of devising original art.